1986 classic by prince & the revolution, flip over for <3 or $. 2017 re release.

»battlefield 1« ist ein erfolgreicher ego-shooter aus der battlefield-reihe, der vom schwedischen computerspielhersteller dice produziert wurde. nun erscheint für alle gamer und vinylsammler die limitierte 180 gramm vinylversion des von johan söderquist und patrik andren komponierten soundtracks.
(achtung - kein downloadcode enthalten, coversticker ist falsch!)

the word classic get s bandied around a lot when talking about certain records, artists, labels etc but rarely is it truly justified. in the case of the monumental slab of nyc deepness that is i ll be your friend we feel the tag is genuinely justified. originally released in 1991 on the rca label the track has been one of house music s most enduring anthems. literally one of the deepest tracks out there, it s combination of owen s vocals paired with the stellar production techniques of def mix s david morales (and those drums) is such a heady combination that the record crossed over so many scenes and to this day remains an evergreen staple in dj s of all persuasions bags. featured here we have all the original mixes (with the exception of the shorter radio edit) in their original forms. the record sounds as fresh as it ever did, the sort of track that never dates and will always fit into a set, the very definition of a classic. legitimately re-released with the full involvement of rca records for 2017 and remastered from the original sources specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition

wsr001 tremila ep is the ep for sapporos debut on the newborn wats records. three tracks with classic rolands drums and powerful synths, which best represent the music-path believed by wats records. melodic techno, with an eye on the dancefloor

„for the second release of berlin’s underground music label, ltd w/lbl presents four huge tracks dedicated to jazz and classical electronic music. from slow piano heavy house to deep moody jazzy vibes, this record even holds a classic.“

in the follow up to his doornroosje ep released back in october last year - aus continue on form in 2017 and present another solo ep from label mainstay marquis hawkes. having been brought into the fold on 2015, the berlin based artist has consistently utilised aus to outlet his more soulful and stripped productions. his previous work has comprised fun, sample-heavy tracks designed with nothing but the dance floor in mind and his latest 12inch sweet temptation expands on this bringing melody, rhythm and chords to the foreground. jubilant, powerful vocal lines and stony drums are the core ingredients and their melding results in a collection of 4 tracks of varying moods and intensities. while ‘burning light’ and ‘sweet temptation’ pack a certain big-room punch, eivissa and zapper bluesky carry depth and soul in a manner that recalls a classic and cherished hawkes sound. now 5 releases deep with aus music - marquis hawkes continue to demonstrate why he is a regular and esteemed member of the roster.

since laars epic crowdsurfing days touring with his former disco-band tog, laars has been honing his production skills with more metric music inspired by the classic godfathers patrick crowley and giorgio moroder for lysår/none 12inch. making playful, percussive house music with a disco heart is one of laars passions that comes into play on this 12inch. sampling hits from his favorite records, sweeping filters, playing on his juno 60 and having his band mates come in to play percussion and synthesizers over some of his grooves you can hear how much fun theyve been having making the record. the mysterious willy nickersen has remixed the songs into deeper territories complementing the record making it able to lift dance floors across the globe.

she cant love you delivers smooth, soulful vocals and an abundance of attitude, propelled by provocative, cheeky vocals sitting over tough, funky rhythms and retro synth lines. the original mix has bounces with a us garage-like groove via chopped breaks supercharged with a solid kick and tons of nightclub funk. speaking of old school, egyptian lover supplies the electric boogaloo with remix that returns to his electro roots of the 1980s. the vocal sits comfortably in these new shoes, providing a classic-tinged alternative glance at this tune.

following two staggering contributions from the analogue roland orchestra and 2030 that illustrated to boundless sonic possibilities for the label, deep’a & biri return to their tel aviv-based black crow label with a pair of powerful, emotive techno cuts in the style for which the duo long since become admired. for a long time one of those admirers has been detroit techno founding father derrick may, who has been on a mission to push the new 12inches a-side, basic cycle, into instant classic territory through his unwavering commitment to making the track a highlight of his sets. may has been far from alone, with the track being one that d&b have been asked about, if not outright begged for, over the past year or so. it finally becomes available to techno fans worldwide in january 2017, backed by the pummelling rhythms of overdrum, which itself has the potential to turn heads and drop jaws all by itself.

the talented italian producers pietro caprioglio aka autre and federico pedron aka xinner kicking it off with nebula. an emotional piece of late night techno music full of analog warmth and heart warming depth. autres seiryu is an atmospheric and loopy groove monster for the deeper dancefloors.dresdens kryptic universe delivers with 01309 stairways one of those gorgeous and simply perfect analogue sounding dub techno tracks. incredibly textured piece of work wich could have been already a classic since the golden basic channel/chain reaction years. owen jay and brian james closing it up with chordless. this is a mind blowing take of chord driven club material.

fresh curt cazal remixes of ‘how it all got started’, ‘we don’t play’ feat. grand puba & sean price and all-new aim produced anthem ‘lyrical expert’.
following 2015’s album of the year the habit of a lifetime (and how to kick it), atic records is proud to present the next instalment in the aim & qnc saga. the how it all got started curt cazal remix ep boasts two instant classic curt cazal remixes, an all-new aim produced track lyrical expert and the all-important, dj-friendly instrumentals.
the ep is presented on delicious c.r.e.a.m. coloured 140g 12” vinyl with sleeve art by atic’s default design guru afu.

a year after his last outing on the label, andrew red hand is back on mos deep with another fine four track offering. known as the romanian underground resistance, red hand also works with labels like detroit underground and has a timeless house and techno sound that is always uncompromising. . lonely heart opens things up in spritely fashion, with frazzled synths circling round a rooted rubbery groove. the lines grown more wild and untethered as things roll on an it is sure to carry floors away to another dimension. sleepless nights is another busy cut, with gurgling acid wrestling with more serene and soulful synth smears. bristling and brimming with energy, it s a fluid bit of techno that is as classic as it is fresh. dry tears is another fulsome arrangement, with light and shiny synths, gritty bas notes and airy hi hats all jostling for your attention and last of all, moms spirit soars off to the horizon on a smooth house tip, with rueful pads, sweeping strings and elastic bass really getting you on your toes. these are clean, crisp, accomplished tracks that cannot fail to make their mark

ltd coloured edition... a year after his last outing on the label, andrew red hand is back on mos deep with another fine four track offering. known as the romanian underground resistance, red hand also works with labels like detroit underground and has a timeless house and techno sound that is always uncompromising. . lonely heart opens things up in spritely fashion, with frazzled synths circling round a rooted rubbery groove. the lines grown more wild and untethered as things roll on an it is sure to carry floors away to another dimension. sleepless nights is another busy cut, with gurgling acid wrestling with more serene and soulful synth smears. bristling and brimming with energy, it s a fluid bit of techno that is as classic as it is fresh. dry tears is another fulsome arrangement, with light and shiny synths, gritty bas notes and airy hi hats all jostling for your attention and last of all, moms spirit soars off to the horizon on a smooth house tip, with rueful pads, sweeping strings and elastic bass really getting you on your toes. these are clean, crisp, accomplished tracks that cannot fail to make their mark

reissue of the classic 1973 steve miller band album on heavyweight 180 gram vinyl, housed in gatefold sleeve with download code included.

this record collects many intimate things and singular ideas about voiski, it is also an excellent synthesis of his musical style, and how it is evolving towards a more and more unknown territory, where his -post-trance- idea collides classic detroit influences, 90 s techno (with that underworld cover obviously) and a very unique sonic identity he has developed playing his synths with a bright and powerful sound design, and rich arpeggios.

next up on voodoo gold is the debut release by aquarian motion. beyond the pillars of hercules is a 9 track mixture of classic aquatic electro and deep mellow machine funk.

dj t-1000 drops 4 classic hard-edged cuts of pure detroit techno on third ear. born and raised in detroit and based in berlin dj t-1000 is alan oldham, owner of detroit labels generator and pure sonik, and a gifted techno dj. also an accomplished graphic illustrator, known globally for his iconic artwork for djax-up-beats, +8 records, transmat, astralwerks and many other electronic music labels, including third ear. alan did the artwork for the defenders of the deep house world ep curated by mike huckaby, and he has done the artwork for his third ear ep also.

repressing of this house classic with the magic remix touch of legendary larry levan!

florian meindl kick starts 2017 with a special four-track vinyl only release ‘colorful cage’. released on his own imprint flash recordings, the title track is taken from his forthcoming album ‘time illusion’. there is an exclusive vinyl edit of florian’s previously released foreboding techno track ‘nix charon’ and completing the ep are two further unique tracks ‘controlled pressure’ and ‘wild sequence 3’. as a dj, live performer, studio producer and sound designer, florian has over the years established an impressive producing base for himself in his berlin based riverside studio complex with an exciting hardware set up including modular systems, an analog mixing desk as well as classic machines like roland 909. in anticipation for the lp release in early april, florian has prepared a unique live set featuring a modular system, the korg minilogue, effect boxes and a 909 drum machine which were used in the creation of the album which he will be touring throughout 2017.

repress 2017 !!
after over 10 years out of press, very limited vinyl re-pressing of the he extremely sought after dj assassin >a face in the crowd< 12 inch on cross section records. a total classic house track from 1998, that sounds even fresher today. the vocal is minimal, yet haunting and the bassline just revs like a an engine, proper house music at its finest.
supported for years by: craig richards, villalobos, mike huckaby, dj sneak, phil weeks, hector morales, monoman, dj mes, chris cutter, cedric maison, marco faraone, boris werner, to name a few.

apotek records takes a conversant and pliable approach to this dialectic ep. apotek records latest release apt027 is simply a juggernaut! jerome sydenham extolls his techno prowess with an irreproachable veracity. no earth required swings into action with rolling drums,daring vocal stabs and an upliting techno fervourfull of youthful exuberance. bread and water is classic dark techno. a supreme energetic contruction.

infectious and club focused, beaner’s first solo outing arrives courtesy of la mission.
“blackmouth” is the live version of the classic soul/disco sampling house tune. take the work of others who came before you and turn it into a danceable jam. “got blues?” uses the work of a blind 1930s blues bongo player to form a weirdo repetitive rhythm tool: another example of using a forgotten artist for one’s own gain. the titular song, “co-opted & exoticized” plays on the classic preacher vocal track.

classic depeche mode album from 1987 incl never let me down, little 15, behind the wheel !

its an all us line-up as we welcome back to strictly the soulgasm main man brian coxx along with new production partner morsy for feel it, their stomping-piano tribute to classic house. new jersey man coxx is behind the memorable soulgasm sessions volumes 1 & 2 released on strictly at the end of the zeros/beginning of the tens, and hes currently celebrating ten years of throwing the infamous soulgasm sessions parties around new york city. bronx resident morsy has notched up a brace of releases with nervous and, as part of the developing coxx & morsy partnership, a trio of tracks on kenny summit s good for you imprint. formerly part of the itinerant nyc dj crew crooked disco, he s played festivals like coachella opening for the likes of moby and steve aoki and lately travelled to gigs in europe along with a neat sideline playing cruise ship events. you can find him playing his weekly residency mr purple on the rooftop of the hotel indigo on manhattan s lower east side.

lowmoneymusiclove’s 9th release comes from “planet jm”, the amsterdam based producer drops his debut ep “cosmic fruit”. three dope old school tracks with classic lmml bleep sound. get spaced & boogie!“

nice price deal !!! invisible line is a deep roller, with bubbling bass and snappy, rolling percussion and a great melody. paranoid cycle is a much more darker and heavier affair with growling bass and big peeks and drops. a classic underground ep that will be getting played by all of the big tech house and techno jocks.

elastica 100 goes grooves! dedubros begins the 2017 releasing their first 7- vinyl! and it s elastica n° 100! let yourself go in the warm atmosphere of a caribbean beach with mr. caraibo! classic roots instrumental tune, singing saxophone and the b-side dub version mr. caraidub! limited copies in the marvellous graphic art packaged vinyl! get your own one and #staydub

rick wade delivers 3 excellent tracks for people of earths sixth release. escapism is warm, distorted & moody. dark strings, chords & a thick kick with low end that gives subwoofers a work out. stand alone is classic big rick. an anytime house jam, chord changes and drum grooves. just perfect. understand, old skool breaks & sample heavy. a bit of a departure from our norm…and we love it.

already a som classic -10 million light years- from the exaltics inkl. kan3da remix was original released via usb stick and cd in 2007. now 10 years later its going to be re-released and remastered on amazingly looking 10- split color vinyl. strictly limited to 300 units. no repress, be fast!!!

classic phonky chicago infected house

modugroove is a new record label by lee renacre from 100hz. started in 1989, their first release low frequency overload with optimism records entered the national music charts. lee then started a record label called format records with great tracks and reviews. lee has released with various classic record labels of the 1990 s including pacific records, oblong, rehab and eukahouse. he was included as one of several london artists who were considered to have started the tech-house scene according to mixmag september 1997. recently 100hz have been releasing music with bosconi, imprints, hi phen and logistic records. modugroove aims to release future classic music with new and known artists with a passion for the extraordinary. the first release is called modulation and is a showcase of the wonderful world of analogue modulating synthesis. stealthy and deep these tracks include a new collaboration group called junction chaos who improvise new music.

baricentro is an italian funk-rock band founded in 1976 by two brothers francesco and vanni boccuzzi, after the release of two albums in mid seventies (sconcerto and trusciant) for the major record company emi they recorded in 1983 the single tittle tattle representing a clear innovation in sound from their past, without believing that would receive a positive response in the new york city underground music scene and soon becoming a paradise garage and loft classic. best record italy today came out with this special reissue-project as a limited edition ep, remastered from the original master tapes and containing for the first time all the versions from 1983 and 84 including the unreleased dub that was previously available as an acetate cut only for deejay play.

the maverick maestro from the bay dave aju is back with his circus family here with an incredible new release. based on stripped-down hardware sessions rocking just a roland tr-909 and sh-101, aju once again proves that no sound set need be limited in itself and along with the addition of one microphone for his inimitable soulful voice, creates one of his strongest and most imaginative releases to date, the 10101 ep. a multiple homage to the 101 freeway that spans his native golden state and the numeric classic analog boxes used vs digital binary to process them, the four rich tracks offer the best of both worlds and cover all the bases of mr ajus musical multiverse. low dive starts things on a deep heads-down dance floor tip where rising synth lines soar over a blast of shuffling drums and percussion for a rocksolid djs delight. always never comes next with pure aju magic, equal parts song and track, an ear worm of a chorus, and full of sunny west coast electro influences all the way through. on the flip sides may very well be one of ajus most intense transmissions ever, with a sublime and seemingly endless build-up of dark pads, driving, shifting rhythms, and voodoo vocals that will detonate many a peak-hour sound system guaranteed. aju then tastefully finishes with the cool psychedelic mid-tempo bump of tell her why which harks back to his hip-hop roots and wraps up the vibe and elements of the whole ep perfectly. welcome back with a bang brother aju!

special summer deal! fresh, jacking & swinging, classic 1990s us house trained, highly effective dj tool set.

david bowie was one of jean claude gavris all-time heroes, jc pays tribute to the man in this special one off release of his classic lets dance remix.

uk production duo alfie granger-howell and nick harriman aka dusky drop 4 of the finest remixes from their outer album campaign of last year on heavyweight white label vinyl. t. williams cult grime alias dread d alias and livity sound mainstay kowton lend their hand to 2 heavyweight remixes for the wiley collaboration sort it out sharon whilst the talents of bwana and techno don shed take to the buttons on ingrid is a hybri a legendary figure for his formative work on jon e cashs black ops label around 2002 - 2006, dread d has been bubbling back into focus over recent years through a string of strong releases on local action. on his remix, the versatile veteran gives wileys freestyle a bashy, classic london grime refix.

biosphere is the main recording name of geir jenssen (born 30 may 1962), a norwegian musician who has released a notable catalogue of ambient electronic music. he is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. his 1997 album substrata was voted by the users of the hyperreal website in 2001 as the best all-time classic ambient album.

a forthcoming masterpiece of a new artist! - with traces of burning spear and culture in his voice, spiritual s original songs share with buzz artists like chronixx, protoje and alborosie the aims and destiny of reggaes new roots re-generation. production credits are a seal of quality, as there is the main producer clifton -specialist- dillon (producer for alborosie, shabba ranks in the 90ies, world hit by omi and many more) alongside bobby -digital- dixon, who also mixed a good part of the album. the main recording took place at digital b, plus some at anchor, tuff gong and oufah recording studios, with a big credit list of finest musicians, both veteran or new generation of the jamaican scene appearing and with the final mastering touch by kevin metcalfe. additonally iba mahr and droop lion (from the new gladiators) appear as guests for fine combination tunes. -awakening- is an album which might stand alongside classic reggae 70s albums like natty dread (bob marley & the wailers), marcus garvey (burning spear), two sevens clash (culture) and the right time (mighty diamonds) and is available with a new artist introduction price level!

repress 2017 ! uk-born producer luke standing aka blue hour has made a considerable impact since his emergence in 2013. a move from bristol to berlin precipitated a run of stellar self-released eps that immediately won him an ardent following among techno s most revered djs for a sound that offered a fresh take on classic techno and electronica, while always maintaining a supreme dancefloor functionality. among those fans was function, who included an exclusive track from standing in his berghain 07 mix and part i of its accompanying 12-inches. now standing s self-titled outlet launches a new remix series, calling on some of those aforementioned fans to offer their own takes on a trio of the standout tracks from his label s first five releases. ostgut resident answer code request applies the driving hybrid techno-bass approach that has made him one of berghain s brightest stars to blue hour 002 title cut axis motive, paris-based tresor resident marcelus offers an ethereal take that focuses on blue hour 003 s reference 97 s more hypnotic elements, and ostgut ton s steffi is perfectly matched to the third ep s moments, employing her signature sound that similarly offers a timeless anthemic quality to the original...

realness: if there was one word you’d use to sum up parisian house dealer phil weeks that would definitely be it. he’s never kowtowed to trends or hype. he’s never compromised. he’s never lost focus of his primary goal: to make undiluted, straight-up house music that physically moves you.nearly 20 years deep as a dj, artist and founder starting the new year with a serious statement of groove intent, the eight track package is the follow up to his successful 2012 collection ‘raw instrumental’. his fifth studio album in total, the title says it all: rawness and full focus on both the dancefloor and the best creative djs. no messing around, each track is tailored for total mix and party pleasure and covers every shade of the night. it’s peaky business from the off as phil lights the fire with ‘the rhythm’ an incendiary burner that sp flexing a classic blaze sample, all the elements build with the bulldozer drums and subs pushing relentlessly. ‘oh baby’, meanwhile, slips us into a something slinkier with its bumping deep drum shuffle and optional instrumental.

mint condition a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in. guy plez pleasant dropped this monstrous slab of proto-tribal techno on his own plezure label way back in 88. the rest, as they say, is history. a stone cold nyc club bomb was dropped. literally. the fact that this record is still played, still talked about, still sought after really says something about it s heady mix of heads down dark corner tribalism, it s screeching, soaring synth lines and it s sheer balls out attitude. this one goes off. a cursory glance shows that plez only did a handful of records, with cant stop definitely being the biggest and most well known and loved (honorary tip of the cap to thing for you here too). the acid rainforest mix featured on this 12inch is a dangerous weapon in any dj s bag, submerging the dance-floor into an otherworldly jungle planet. heavy, heavy stuff. heres the chance to bag yourself a classic slice of nyc dance history, sounding as heavyweight as ever, ready to do damage. fully remastered specially for mint condition, i can t stop is back, as notorious as ever. legitimately re-released with the full involvement of guy plez pleasant for 2017 and remastered from the original dat s specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

vanta series is the new series for killekill’s dancefloor music. the releases come in series, every series comes with a theme and one artwork which is being split in several parts to go with each release. the first series is called “the end is near” and features four records. it comes with an artwork by french visual artist elzo durt. vanta 003 comes from eomac under his alias eeoo. eeoo is a side project for what is, in eomac’s mind, straight up, techno-rave-house-jungle- disco influenced, dancefloor material. it draws influence from classic styles of dance music. less dense, less conceptual than the eomac-music. less focussed on texture and atmosphere, a more direct approach for sweaty ravers and moving bodies.

phonk d connects with his buddy le rubrique. they created three real floor bangers with some heavy punch. raw mpc drums, disco samples and classic synths melt into a deep funky mixture. as a very special goodie they could team up with the great borrowed identity, who contributed a pretty nice remix to this ep. watch your feet!

after a run of new signings in 2016 - aus music kick of 2017 with something a little bit different. to inaugurate the new year they welcome in catz n dogz for three separate interpretations of classic records from the aus music archives. cherry picked from the vast back catalogue are tracks from bicep, geeeman and george fitzgerald all of which are given a rough, smoke treatment from the pets recordings owners. kicking things off is the remix of geemans wanna go bang he title track from his punchy 12-inch from 2015 that now sees a driving and percussive reworking. bicep the game is next in line a track from the irish duos first solo outing on aus back in 2013. soft, overlapping chords are propelled by snapping drums and multiple melodic lines that build an allaying palette the remix of george fitzgeralds hindsight then caps things off as more frazzled drums propel a stuttering vocal line and a warped synth pattern. continuing to keep things fresh - aus look ahead to another year of new signings and surprises and kick off here with a reminder of the solid foundation that has come before it

since their inception in 2013, east london duo payfone have been breathing warm-blooded soul into their unique machine-fuelled groove. drawing the dots between the white isle and nu yorica - by way of london s narcotic nightlife - the pair conjure a rhythmic throb and soulful devotion all of their own. together, phil passera and chieka ononye buzz along the fault lines of classic r&b, cosmic disco and acid house, injecting their sound with 21st century syncopation. adhering to a strict no samples rule, their manifesto demands that everything be 100 percent original. it s a formula that s worked well so far: the pair have been widely tipped across the blogosphere and are currently linked to celebrated us imprint golf channel recordings. following three sold-out releases for the label, they return with another pair of discreet bangers, justified and we are chains. the tracks turn up the heat on their previous releases, again offering the vocals of performance powerhouse louis howard jones whose lyrics spark with a political punch.

imogen recordings proudly presents presence mix, that charles webster did for future classic in her eyes that appeared on the label earlier this year.

gatupreto release their sophomore distino di nos vida on tink! music! the duo from lisbon s hinterland return with a second round of their impeccable, futuristic theory on modern club music after the acclaimed modo di trabadja ep, released in 2015. the tropical taste of cabo verde, the cool of that lisbon dance floor fusionism, the appeal of classic vibes. tracks too dark and twisted to be called afro, too sexy and melodic to be called techno, too smart and freaky to be called house and too cool and mature to be called kuduro, it is simply gatupreto. on the a side i became me, deep afro dub with a killer sub bass and endless echoes, starring portuguese soul and hip hop legend nbc as guest vocalist and a remix by afro dutch master and fellow tink! artist philou louzolo who turns i became me into an irresistible deep house with african undertones. on the flip side, the dark dramatic stomping tracks afrowerk and gatu di noti, the first an eerie, irresistible peak time banger, and the later a stormer with sounds from natural africa, harpy acid lines and an off kilter beat.

often called one of chicago s talented hidden gems, singer/songwriter/dj/producer tai davis means house in almost every sense. he s dropped vocals for and worked with established producers such as paul johnson, stacy kidd, and also galactik knights, dj sound, nate caswell and dj yakka. preferring to use vintage analog gear, his classic house sound consistently packs dance floors worldwide!